he took the stage name of
Robert Shayne as it looked and sounded professional on a theatre
marquee. But to several generations of fans of George Reeves and
The Adventures of Superman, Robert Shayne is our very own
‘Inspector Henderson.’
Like many
people who wound up in Hollywood, Robert Shayne did not start out to
be a screen actor. Originally from Yonkers, New York, Shayne
graduated from high school in Washington, D.C. and followed a series
of occupation and professions until settling on acting. He worked in
a grocery business in Indiana, graduated from Boston
University with a degree in Business Administration, was an
efficiency expert at a department store, worked as a newspaperman,
in the real estate business, copywriter, an assistant manager and
nearly joined the ministry of the Unitarian Church. While working in
the South, Shayne joined a local theater group where he was
encouraged to pursue the life of an actor.
Robert Shayne
went to New York and the bright lights of Broadway, where he
auditioned for everything in 1929. During the daytime, Shayne worked
as a stockbroker making money until the famous 1929 ‘Black Friday’
crash of the stock market.
While in New
York, Robert Shayne did his very first film work in a Bert Lahr
short subject comedy filmed at the Warner Vitaphone Studios in
Brooklyn. Robert Shayne made his first trip to Hollywood where he
worked at RKO in two films in 1934, including Keep ‘Em Rolling
which starred Walter Huston. After the studio let him go, Robert
Shayne returned to Broadway where he worked on stage until finally
landing a contract at Warner Brothers in 1941. He had just finished
co-starring with Katherine Hepburn in the Broadway play Without
Love.
Robert
Shayne permanently moved to Hollywood where the Warner studio tried
him out in a series of Western short subjects that used quite bit of
stock footage from their big budget horse operas. In the Technicolor
Gun to Gun (1944) Robert Shayne is clearly seen being doubled
for Errol Flynn in footage from Dodge City (1939)! For Jack
L. Warner, Robert Shayne worked steadily in mostly supporting or
small parts to the studio’s stable of stars like ‘Mr. Skeffington’
(1944) with Bette Davis, and Claude Rains, Three Strangers
(1946) with Peter Lorre and Sydney Greenstreet, and San Antonio
(1945) with Errol Flynn and Alexis Smith. Shayne’s characters would
always lose the leading lady to the film’s top-billed star.
After the end
of World War II, Robert Shayne felt that his parts were being pushed
even further into the background with the return of the studio’s
leading men from the service. Shayne decided not to renew his
contract at Warner Brothers and instead free-lanced as an actor. In
an interview for Gary Grossman’s seminal book Superman: Serial to
Cereal, Robert Shayne conceded that leaving Warner Brothers was
a critical career mistake. Moving over to the ‘B’ factory of
Monogram Pictures, Robert Shayne’s parts were definitely getting
larger, but his pictures were getting smaller in both budget and
quality. From time to time Shayne would get a half-way decent part
in a major film like Smash-Up: The Story of a Woman (1947)
for Universal with Susan Hayward, or even Let’s Live a Little
(1948) for little Eagle-Lion Studios where he lost gorgeous Hedy
Lamarr to Robert Cummings!
Robert Shayne
was also a major force in Actor’s Equity and the Screen Actors Guild
where he fought for better working conditions and better pay for
actors. Shayne never forgot what it was like to be a starving actor
being stranded out-of-town or wondering where your next meal would
come from. While he was cranking out one movie after another in
every possible film genre, westerns, mysteries, love stories, etc.,
Robert Shayne also continued to sell insurance, securities, and
bonds on the side.
For
all of his many performances on the silver screen, it was the small screen
that finally gave Robert Shayne the fame and recognition he sought
his entire life when he was added to the cast of The Adventures
of Superman as Inspector Henderson of the Metropolis Police
Department. The TAOS writers and producers contrived to have Clark
Kent right there at police headquarters with his pal Bill Henderson
going over each and every case clue by clue. This was especially
true for the first two seasons of TAOS whose 52 black & white
adventures were mostly ‘film noir’ classics. Surprisingly, Shayne’s
Inspector Henderson did get some meatier parts in some of the color
episodes such as The Talking Clue from season three where his
son was kidnapped by gangsters. Even here we really don’t know if
Henderson is married, divorced or widowed because both the Inspector
and Clark Kent make futile romantic overtures to Noel Neill’s Lois
Lane in the fourth season episode The Wedding of Superman!
Robert Shayne
appeared as Inspector Henderson in over eighty of the program’s 104
episodes. Perhaps his finest performance of the dogged police
inspector was in the fourth season episode Blackmail where
Henderson is framed by the mob for taking a bribe. Robert Shayne
gives a moving and touching performance as an honest cop fully
realizing that he is about to be fired in disgrace and thinks back
to the days when he was a young cop on the beat. Clark Kent is
distressed to see his close friend Bill in trouble, and finds the
evidence that not only clears Inspector Henderson, but lets him take
the credit for rounding up these crooks preying on Metropolis!
On working with
George Reeves, Robert Shayne was quoted in Grossman’s book “You know,
we used to have a lot of laughs on the set because it was impossible
for us actors to take this all too seriously...the situation would
bring on cracks.”
The TAOS
shooting schedule, especially during the last four seasons left
plenty of free time for the cast, and Robert Shayne took advantage
of nearly every job offer coming his way. In between westerns and
crime pictures, Shayne made some outstanding science-fiction ‘B’
films like Tobor the Great (1954) for Republic and
Invaders from Mars (1953) for Twentieth Century Fox! He often
played U.S. Air Force generals battling gigantic invaders from outer
space as in The Giant Claw (1957) for Columbia, and Kronos
(1957) back at Fox. Robert Shayne would also play brilliant but
often naïve scientists dabbling with tragic results in things better
left alone. In The Indestructible Man (1956) he restores an
executed murderer played by Lon Chaney, Jr. to life, but in The
Neanderthal Man (1953) he has the title role of a modern day Dr.
Jekyll who transforms himself into his pre-historic ancestor!
Robert Shayne
was such a professional and disciplined actor that he was an ideal
foil for slapstick comedians. Shayne made two funny comedies for his
former studio Monogram, now renamed Allied Artists when he appeared
with Huntz Hall and the Bowery Boys in Hot Shots (1956) and
Spook Chasers (1957). Robert Shayne also co-starred in the 36th
and final Abbott & Costello film Dance with Me Henry (1956)
for United Artists playing a District Attorney who is murdered at
the boys’ amusement park.
Robert Shayne
even made two serials including the very last one made at the
industry’s Valley of the Cliffhangers Republic Studios,
King of the Carnival (1955).
Robert Shayne
worked steadily in films until his retirement in 1977 after
completing his last film Never Con a Killer (1977) for
television. He was lured out of retirement to appear on the CBS
television series The Flash (1990 – 1991) playing Reggie the
news vendor.
During the run
of TAOS, America was going through the era of Senator Joe McCarthy
and the ‘Red Scare.’ Robert Shayne was falsely and unfairly fingered
as a member of the ‘Communist Party, USA’ by a former friend and
fellow actor.