John
Doucette
By Colete Morlock
From the first time I heard his deep and somewhat raspy voice, I
came to have a deep respect for this character actor from The
Adventures of Superman. John Arthur Doucette was born on
January 21, 1921 in Brockton, Massachusetts. The son of a
shoemaker, John and his family lived near the factories until
they closed, and moved almost continually to another town,
another home. As a result, Mr. Doucette attended numerous
schools, making it difficult to build friendships for any period
of time. Teachers often felt sorry for him and one of them put
him in charge during her absence. John eased into this
authoritative role and this stance would serve him well in later
years.
Upon graduation from elementary school, the Doucettes relocated
to Los Angeles where John attended Lincoln High School. It was
here under the tutelage of a German instructor that he and his
fellow students were regimented in the fine art of performing
numerous plays and radio shows simultaneously. After high
school, he enrolled in the Pasadena Playhouse appearing in 27
plays over the next two years. Although he landed his first film
role in 1943, the casting call came from Uncle Sam for the
European campaign of WW II. He began his stint in the Air Corps
operating a forklift, but was reassigned to the infantry in
Germany under General Patton. How ironic would this be when he
appeared years later in a movie entitled Patton!

The Playhouse once again afforded Mr. Doucette the opportunity
to resume his career after the war ended. He landed a part in a
play featuring Mae West entitled Come on Up, Ring Twice
and went on tour with her for a year. He then performed in the
film adaptation of The Pilgrimage Play, since he had been
quite successful in the theater version. It is here that he met
his beloved wife, Katherine, one of the choir members. They
married and eventually had eight children together.
His roles paired him with some of the industry’s most famous
stars. Most of his 138 films were westerns, police dramas, and
an occasional biblical epic. In fact, he was one of the busiest
character actors of his time, starring with Glenn Ford,
Elizabeth Taylor, Rex Harrison, George C. Scott, and John Wayne
to name just a few. He also appeared with George Reeves in both
Rancho Notorious and Bugles in the Afternoon.
In addition to cinema, Mr. Doucette appeared in 128 television
series or made-for-TV features. His face and voice were famous,
for the most part, as those of the characters you would despise
or love to see get caught. His tough, “bad guy” image spanned
many of the genre’s television westerns like Annie Oakley,
The Lone Ranger, Bat Masterson, and Bonanza to name
just a few. The three distinct episodes of Bonanza
truly showcased different aspects of his acting ability. A more
prominent role came as Lt. Jim Weston on the Lockup
series with MacDonald Carey. He guest starred in other series
such as Seahunt, in which his enthusiasm was a joy to
watch. He demonstrated his ability to be an authority figure in
the Time Tunnel episode, “Revenge of the Gods” (1966)
with his portrayal of Ulysses outside the Greek city of Troy.
For a more comedic role, Doucette was in Get Smart’s “To Sire
with Love – Parts I and II” as Colonel Van Klaus. His German
accent rivaled Colonel Klink from Hogan’s Heroes.
Of
his three TAOS appearances, I consider “The Birthday Letter”
(1951) to be his best performance. It is his equivalent of
George Reeves’ “The Face and the Voice”. Isa Ashdown, as Kathy
Williams, was a crippled girl who wrote a letter to Superman to
take her to the fair. Lois, feeling sorry for her, did a
feature article in the hopes that Superman would answer Kathy.
As Slugger, Doucette, sporting a Brooklyn accent, impersonated
Superman, kidnapped Kathy, and brought her to cohorts, Marcel
and Marie in order to obtain information regarding the arrival
of stolen engraver bank plates from France. Masterfully playing
a likeable lug, Doucette as Slugger was taken into custody by
Inspector Henderson, but Kathy Williams, his advocate,
interceded on his behalf.
Two years later, “Lady in Black” (1953) showed John sporting a
nasty scar on his right cheek. He was part of a ring of thieves
who stole valuable paintings and replaced them with imitations.
The paintings were being smuggled from the museum vault through
the basement of an apartment building where Jimmy Olsen was
staying. Viewers witness how sinister and ruthless John Doucette
could be in this role. Jimmy received a threat by scar-faced
John that would frighten anyone if he were to tell who or what
he had seen. While his time in front of the camera was limited,
that stone-faced glare and steely voice left quite an impression
on the viewer.
His
final appearance, from the color years, was “Clark Kent, Outlaw”
(1954). Also featured were Tris Coffin as the ringleader and
Sid Tomack and fellow henchman. Both Mr. Doucette and Mr.
Tomack were trapped in a cabin by police. Perry and Clark drove
up during the shootout to join Inspector Henderson. Tear gas
forced Doucette out first, while Tomack had a little help from
Superman. When no one was looking, Doucette’s character planted
the stolen money in Kent’s glove compartment. Along with the
two crooks, Clark was taken in for questioning since he was
found with the incriminating bankroll, While Perry White and
Henderson were aware of Clark working undercover, he infiltrated
the gang in order to find out who was behind the ring.
Doucette’s character, along with Coffin’s was skeptical that
Kent had suddenly turned to a life of crime. They set a trap
using Perry White to reveal Kent’s real intentions. This episode
demonstrated a more cunning and suspicious character for John.
Mr. Doucette continued to grace us with his performances until
1987, at which time he retired from show business. He remained a
devoted family man throughout his life and instilled strong
values in all of his children. He died on August 16, 1994 from
cancer, but he left us with countless memorable performances.
It is our honor to induct Mr. John Doucette into the George
Reeves Hall of Fame.
Special thanks to John A. Doucette, Jr. for his assistance and
friendship and to Paul Guenther, Pasadena Playhouse for
providing the program and playbill.