Nelson's characters tended to be their own worst enemies,
engaging the viewer by being almost—but not quite—likea
ble:
his attempt to go straight in "Dog" nearly
nets
Corky a session in the gas chamber; he undercuts his stance as a
loveable loser in Stamp Day with his
repeated intentions to do away with Lois Lane; and as Lois
herself points out in Joey —"the cracker barrel
philosophy and the gun just don't go together".
Nelson could also
make sure we didn't like him much at all, sucker punching the
harmless Sterling Holloway in "Machine", or kidnapping Inspector
Henderson's beleaguered son in The Talking Clue.
Born a New Yorker
in1903, Nelson's work in films began 30 years later. He often
toiled anonymously, with fully half of his 82 roles at IMDB
listed as uncredited. His films of the 1930s and ‘40s were
themselves obscurities, 1945’s Anchors Aweigh being a
notable exception (Nelson goes uncredited as a sailor).
His TV efforts
covered more familiar territory—with turns in Lassie,
Dragnet, Alfred Hitchcock Presents, Highway
Patrol, Death Valley Days, and TAOS among others—and
represented a busy stretch during the 1950s. But very little
came after. Nelson’s last listing—an uncredited toughie in Frank
Capra’s Pocketful of Miracles— is in 1961. With this
talented actor’s name going so often unnoted, we can hope he
particularly enjoyed his final TAOS credit in The Big
Forget as Knuckles Nelson!

Billy Nelson died in
1973 at the age of 70, his status as the bad guy fans could
almost like firmly fixed in TAOS history.
It is
with great appreciation for his talented work in The
Adventures of Superman that we induct Billy Nelson into the
George Reeves Hall of Fame.